世界上古散文浅论②

　　人类精神与艺术之源——世界上古散文浅论
　　　龙建春 著
　　目 录
　　序引：一块亟待开垦的宝地
　　内质篇
　　精神体验：宇宙·宗教·人生
　　第一章 宇宙猜想
　　一、 神幻而理性的本体猜测
　　一、神幻—神话猜测
　　二、感性—物理猜测
　　三、思辨—哲理猜测
　　二、是我非我的人与自然
　　一、谁生我：人类诞生探原
　　二、我非我：人与自然关系发凡
　　第二章 宗教编码
　　一、从迷惑畏惧到崇拜信仰：宗教的本质
　　一、“意义”核心：“神圣事物”
　　二、本质“所指”：恐惧信仰
　　二、从物形到人形：编码的呈现
　　一、物形的奇异凸显
　　二、物形人形的硬性组构
　　三、人形的大写意
　　三、从信仰到理性：编码的意向
　　一、即物随心的玄想
　　二、顿悟盲从的信仰
　　三、似龙非龙的理性
　　第三章 生存体验
　　一、境遇：灾难与忧患并生
　　一、环境之灾·人生之难：生存状态
　　二、“杞人之忧”·“斯芬克斯”之患：生存意识
　　二、救赎：窥探与架构同步
　　一、生理破解·灵魂反思：生命救赎
　　二、协约签订·蓝图绘编：社会救赎
　　外现篇
　　艺术发微：叙述·解释·论说
　　第四章 叙述艺术
　　一、本质论：“叙事”与“叙述”
　　一、溯源：语义·语法
　　二、辨性：结果·行为
　　二、主体论：叙述角色的扮演
　　一、确立角色：自然身份与叙述身份
　　二、饰演角色：恰如其“份”与异“体”代言
　　三、行为论：叙述的剪辑与表现
　　一、结构：情境的配置
　　二、情节：情境的展现
　　第五章 解释艺术
　　一、引论：解释·诠释·阐释
　　一、破解语义迷雾：解'诠'阐
　　二、追求前“学”本质：方式·学科
　　二、演化论：解释的范畴
　　一、神话宗教解·自然哲学解
　　二、法律解·历史解·文学解
　　三、方式论：解释的表现
　　一、事实：解释的具象化
　　二、训诂：解释的浅近化
　　三、义理：解释的学术化
　　第六章 论辩艺术
　　一、自圆其说的“论”
　　一、天启·异象：宗教“论”
　　二、训诰·辞令·策论：世俗“论”
　　二、破立生发的“辩”
　　一、智慧激发：对话
　　二、机锋丛生：辩驳
　　三、玄机四伏：诡辩
　　附录：一、世界上古散文简约系年
　　二、主要参考书目
　　后 记
　　　作者简介
　　龙建春，浙江台州学院中文系副教授，文史学者，从1991年至今，已在海内外发表论文等110余篇，其曾国藩及其文学研究、古代散文研究成果被海内外学者采用，出版《隋唐简史——华丽时代的血色画卷》、《纵横家语录》、《人类精神与艺术之源——世界上古散文浅论》、《阴阳家简史》等著作。
　　Human Spirit and the Origin of Art
　　—— A Brief Talk on the World Prose of the Ancient Times
　　Long Jianchun
　　Preface ：A Treasure-house to Be Urgently Explored
　　Interior Qualities ：Spiritual Experience: The Universe, Religions and Human Life
　　Chapter One Conjectures on the Universe
　　I. Mythical and Imaginative as well as Reasonable Ontological Conjectures
　　1. Myth and Imagination – Conjectures about Mythology
　　2. Perception – Conjectures about Innate Laws of Things
　　3. Philosophical Thinking – Conjectures about Philosophy
　　II. The relationship between Man and Nature
　　1. Who Is Not Me: The Origin of Man’s Birth
　　2. I Am Not Me: An Introduction to the Relationship between Man and Nature
　　Chapter Two Religious Codes
　　I. From Perplexity and Awe to Religious Faith: The Essence of Religion
　　1. The Kernel of “Meaning”: “Holy Things”
　　2. The Essential “Referent”: “Fear Belief”
　　II. From the Physical Shape to the Human Shape: The Appearance of Codes
　　1. The Strange Projection of Objects
　　2. The Hard Structure of the Human Shape with Physical Appearance
　　3. Comprehensive Description of the Human Shape
　　III. From Faith to Religion: The Intention of Codes
　　1. Metaphysical Thinking Following Man’s Inclinations
　　2. Faith Resulting from Sudden Understanding and Blind Faith
　　3. The Ambiguous Reason
　　Chapter Three Survival Experience
　　I. Circumstances: The Coexistence of Disaster and Anxiety
　　1. Environmental Disaster, Human Disaster and the Condition of Existence
　　2. Imaginary Fears and Sphinx’s Riddles: The Consciousness of Existence
　　II. Redemption: The Synchronism of Prying and Structuring
　　1. Physiological Decoding and Spiritual Reflection: The Redemption of Human Life
　　2. The Signing of Agreements and the Mapping Out of Blueprints: The Redemption of the Society
　　Outward Appearance：The Profound Mystery of the Arts: Its Narrative, Explanation and Exposition
　　Chapter Four The Narrative Art
　　I. Its Essence: “Narration” vs. “Recounting”
　　1. Its Origin: Semantics vs. Grammar
　　2. Its Qualities: Result vs. Conduct
　　II. The Subject: The Playing of the Narrative Role
　　1. The Determination of the Role: The Natural Role and the Narrative Role
　　2. The Playing of the Role: The Real Role and the Representative
　　III. The Conduct: The Montage and Representation of the Narrative
　　1. Structure: The Allocation of Circumstances
　　2. Plot: The Representation of Circumstances
　　Chapter Five The Interpretive Art
　　I. Introduction: Explanation, Annotation and Interpretation
　　1. Demisting the Perplexities in Semantics: Explanation, Annotation and Interpretation
　　2. Pursuing the Essence of Former Scholars: Methods and Disciplines
　　II. Evolution: The Scope of Interpretation
　　1. Interpretation of Mythology and Religion; Interpretation of Natural Philosophy
　　2. Interpretation of Laws; Interpretation of History; Interpretation of Literature
　　III. Methodology: Representation of Interpretation
　　1. Facts: Concrete Explanation
　　2. Exegesis: Plain Explanation
　　3.Argumentation: Academic Explanation
　　Chapter Six The Argumentation Art
　　I. Discourse That Justifies Itself
　　1. The Opening of Heaven and Strange Phenomenon: Religious Discourse
　　2. Imperial Mandate, Ci-type Writing, and Essays on Current Affairs: Secular Discourse
　　II. Argumentation That Destructs and Constructs
　　1. Intellect Stimulating: The Dialogue
　　2. The Incisive Debate
　　3. The Fantastic Sophistry
　　Appendices ：
　　I. A Brief Chronology of the World Prose of the Ancient times
　　II. References