视觉文化研究英文文献选目

视觉文化研究英文文献选目

Barnard, M. Art, Design and Visual Culture(《艺术、设计与视觉文化》)，London: Macmillan, 1998.
Baudrillard, J. Simulacra and Simulation(《仿像与模拟》), New York: Semiotex(e), 1983.
Berger, J. Ways of Seeing(《看的方式》)，London: BBC Publications, 1972.
Best, S. D. Kellner. The Postmodern Turn(《后现代的转向》), New York: Guilford, 1997.
Bourdieu, P. The Field of Cultural Production: Essays on Art and Literature(《文化生产场：论文学与艺术》)， Cambridge: polity, 1993.
Bourdieu, P. Photography: A Middle?brow Art(《摄影：中产阶级的艺术》)， Oxford: Blackwell, 1996.
Bourdieu, P. The Love of Art: European Art Museums and Their Public(《热爱艺术：欧洲美术馆与其公众》)， Oxford: Blackwell, 1997.
Brothers, C. War and Photography: A Cultural History(《战争与摄影：文化史》)， London: Routledge, 1996.
Bryson, N. Vision and Painting: The Logic of the Gaze(《视觉与绘画：注释的逻辑》), New Haven: Yale University Press, 1981.
Bryson, N. et al. eds. Visual Theory(《视觉理论》), Cambridge: Polity, 1992.
Bryson, N. et al. eds. Visual Culture: Images and Interpretations(《视觉文化：形象和解释》), London: Wesleyan University Press, 1994.
Buck?Morss, S. The Dialectics of Seeing: Walter Benjamin and the Arcades Project(《看的辩证法：本雅明与拱廊计划》)，Cambridge: MIT, 1989.
Burgin, V. In/Different Space: Place and Memory in Visual Culture(《在/不同空间：视觉文化中的地点与记忆》),Berkeley: University of California Press, 1996.
Cary, J. Technology of the Observer: On Vision and Modernity in the 19??th? Century(《发现者的技术：论19世纪的视觉与现代性》), Cambridge: MIT 1993.
Chambers, I. Popular Culture: The Metropolitan Experience(《流行文化：大都市的体验》)， London: Routledge, 1986.
Cohen, S. Vision of Social Control(《社会控制的视觉》), Cambridge: Polity, 1993.
Dandeker, C. Surveillance, Power and Modernity(《监视、权力与现代性》), Cambridge: Polity, 1990.
Debord, G. The Society of the Spectacle(《景象的社会》)，New York: Zone, 1994.
De Certeau, M. The Practice of Everyday Life(《日常生活实践》), Berkeley: University of California Press, 1984.
Der Berian, J. ed. The Virilio Reader(《魏瑞里奥读本》), Oxford: Blackwell, 1998.
Entwistle, J. The Fashioned Body: Fashion, Dress and Modern Social Theory(《时髦的身体：时尚、服装和现代社会理论》)，Cambridge: Polity, 2000.
Featherstone, M. Undoing Culture(《解析文化》), London: Sage, 1995.
Fiske, J, Understanding Popular Culture(《理解流行文化》)， London: Routledge, 1989.
Foster, H. ed. Vision and Visuality(《视觉与视觉性》), Seattle: Bay Viwe Press, 1988.
Foucault, M. The Birth of the Clinic: An Archaeology of the Human Science(《诊所的诞生：人文科学考古学》), London: Pantheon, 1973.
Foucault, M. Discipline and Punish(《规训与惩罚》), Harmondsworth: Penguin, 1977.
Freedberg, D. The Power of Images: Studies in the History and Theory of Response(《形象的权力：历史与反应理论研究》), Chicago: University of Chicago Press, 1989.
Frisby, D. M. Featherstone, eds, Simmel on Culture(《西美尔论文化》), London: Sage, 1997.
Goldman, R. S. Papson, Sign Wars: The Cluttered Landscape of Advertising(《符号的战争：广告的凌乱图景》), Nwe York: Guilford, 1996.
Harvey, D. The Condition of Postmodernity(《后现代性的状况》)， Oxford: Blackwell, 1990.
Heywood, I. B. Sandywell, eds. Interpreting Visual Culture(《解释视觉文化》), London: Routledge, 1999.
Jay, M. Downcast Eyes: The Denigration of Vision in Twentieth?Century French Thought(《低垂的眼睛：20世纪法国思想中对视觉的诋毁》), Berkeley: University of California Press, 1993.
Jenks, C. ed. Visual Culture(《视觉文化》)，London: Routledge, 1995.
Jervis, J. Exploring the Modern(《探索现代》), Oxford: Blackwell, 1998.
Kellner, D. Media Culture(《媒介文化》), London: Routledge, 1995.
Levin, D. M. ed. Modernity and the Hegemony of Vision(《现代性与视觉的霸权》)，Berkeley: University of California Press, 1993.
Levitt, H. Way of Seeing(《看的方式》)， Durham: Duke University Press, 1996.
Lown, D. M., History of Bourgeois Perception(《资产阶级知觉的历史》), Chicago: University of Chicago Press, 1982.
Lyon, D. The Electronic Eye: The Rise of Surveillance Society(《电子眼：监视社会的兴起》), Cambrige: Polity, 1994.
Lyotard, J.?F. The Posmodern Condition(《后现代状况》), Minneapolis: University of Minnesota Press, 1984.
McGuigan, J. Culture and the Public Sphere(《文化与公共领域》), London: Routledge, 1996.
Melvill, S. B. Readings, eds., Vision and Textuality(《视觉与文本性》)，London: Macmillan, 1995.
Metz, C. The Imaginary Signifier: Psychoanalysis and Cinema(《想像的能指：精神分析与电影》)，Bloomington: Indiana University Press, 1982.
Michell, W. J. Iconology: Image, Text, Ideology(《图像学：形象，文本，意识形态》), Chicago: University of Chicago Press, 1986.
Michell, W. J. The Reconfigured Eye: Visual Truth in the Post?Photographic Era(《重塑的眼光：后摄影时代的视觉真相》), Cambridge: MIT, 1992.
Michell, W. J. Picture Theory(《图像理论》), Chicago: University of Chicago Press, 1994.
Miles M. Art, Space and the City(《艺术、空间与城市》), London: Routledge, 1997.
Mirzoeff, N., ed. The Visual Culture Reader(《视觉文化读本》), London: Routledge, 1997.
Mirzoeff, N., ed. An Introduction to Visual Culture(《视觉文化导论》), London: Routledge, 1999.
Neal, S. Cinema and Technology: Image, Sound, Colour(《电影与技术：形象、声音和色彩》), London: Manderin, 1991.
Nochlin, L. The Politics of Vision: Essays on 19??th??Century Art and Society(《视觉政治：19世纪的艺术与社会》), London: Thames and Hudson, 1991.
Phillipson, M. Painting, Language and Modernity(《绘画、语言与现代性》), London: Routledge, 1985.
Pollock, G. ed. Generations and Geographies in the Visual Arts(《视觉艺术中的代与地理学》)，London: Routledge, 1996.
Poster, M. ed. Jean Baudrillard: Selected Writings(《鲍德里亚文选》), Stanford: Stanford University Press, 1988.
Rose, J. Sexuality in the Field of Vision(《视觉领域里的性征》), London: Verso, 1986.
Tagg, J. The Burden of Representation: Essays on Photographies and Histories(《表征的重负：论摄影与历史》), London: Macmillan, 1988.
Tulloch, J. Watching Television Audiences: Cultural Theories and Methods(《看电视的受众：文化理论和方法》), London: Arnold, 2000.
Urry, J. The Tourist Gaze(《旅游者的凝视》), London: Sage, 1990.
Virilio, P. The Vision Machine(《视觉机器》), London: British Film Institute, 1994.
Welsch, W. Undoing Aesthetics(《解析美学》), London: Sage, 1997.
Williams, L. ed. Viewing Position: Ways of Seeing Film(《观看的位置：看电影的方式》), Nwe Brunswick: Rutgers University Press, 1989.